© 2013 PRAZ-DELAVALLADE IMPRINT
  • Praz-Delavallade
  • Current  Upcoming  Past
  • Artists  News 
  • Art Fairs  Gallery
  • Edgar Arceneaux
  • Amy Bessone
  • Philippe Decrauzat
  • Sam Durant
  • Thomas Fougeirol
  • Gabriel Hartley
  • Julian Hoeber
  • Jim Isermann
  • Joel Kyack
  • Nathan Mabry
  • Fabien Merelle
  • John Miller
  • Adi Nes
  • Robyn O'Neil
  • Amy O'Neill
  • Mai-Thu Perret
  • Dario Robleto
  • Ry Rocklen
  • Antoine Roegiers
  • Brett Cody Rogers
  • Analia Saban
  • Erik Schmidt
  • Jim Shaw
  • Marnie Weber
  • Johannes Wohnseifer
  •  
  • Selected Works
  • Biography
  • Exhibitions
Slab Foundation #3
 
Slab Foundation #3
Wave
Folded Horizon (Two Folds)
Erosion (Scaffolding)
Paint (Black) #1
Exhibition view
Exhibition view
Decant (from Ceiling) #3
Decant (from Floor) #2
Fade Out (from Black) #2
Erosion (grid) #2
Arm with Rupture
Decant (Black): Cascade
Representation of a Chair (with Broken Part)
Overlay Series: Early Black and White Photograph (Erotic Postcard); Color Acetate Red, Yellow and Blue; Brushstrokes; and Linen Canvas on Stretcher Bars.
Overlay Series: Early Black and White Photograph («The Enraged Cockatoo (Perched)» by T. R. Williams, c. 1851 - 1855); Color Acetate Red, Yellow and Blue; Brushstrokes; and Linen Canvas on Stretcher Bars.
Overlay Series: Early Photograph (Untitled, by Adolphe Braun, 1854); Color Acetate Red, Yellow and Blue; Brushstrokes; and Linen Canvas on Stretcher Bars.
Overlay Series: Early Photograph ("Articles of China" by Henry Talbot); Color  Acetate Red, Yellow and Blue; Brushstrokes; and Linen Canvas on Stretcher Bars.
exhibition view
exhibition view
exhibition view
Slippage #2
Sunset
Nude
Collapsed Drawing:  "Vertical Lines, Not Straight, Not Touching" (Sol Lewitt)
Collapsed Drawing: Unknown title (Jackson Pollock)
Collapsed Drawing:  Untitled (Eva Hesse)
Reclining Nude (with Tape)
Acrylic on Linen (with Tape), Landscape
Vase of Drawing Lines
Acryilic on Canvas (with Tape), Cloud
Raw to Finished (Ready-Made Brushstrokes by Cezanne, Chagall, Jawlensky, Kandinsky, de Kooning, Matisse, Miró, Pollock, Twombly, and Van Gogh) - Version #2
Composition with Ready-Made Brushstrokes by Cezanne, Chagall, Jawlensky, Kandinsky, de Kooning, Lichtenstein, Matisse, Miró, Picasso, Pollock, Twombly, and Van Gogh
Composition with Ready-Made Brushstrokes by Cezanne, Chagall, Jawlensky, Kandinsky, de Kooning, Lichtenstein, Matisse, Miró, Picasso, Pollock, Twombly, and Van Gogh<br>(detail)
Composition #2 with Ready-Made Lines by Kandinsky, Klee, Matisse, Miró, Picasso, and Twombly
Composition #2 with Ready-Made Lines by Kandinsky, Klee, Matisse, Miró, Picasso, and Twombly<br>(detail)
Landscape (Two Different Reproductions)
Painting(s) Reassembled (Eleven paintings &#8800; One Painting)
Painting(s) Reassembled (One 48 x 36 inch Portrait &#8800; 11 1/2 x 23 inch Reassembled Portrait)
Painting(s) Reassembled (Three Portraits &#8800; One Scarf)
Painting(s) Reassembled (Three Portraits &#8800; One Scarf)<br>detail
Cotton Canvas Thread from a 7.5 ft-wide Landscape Painting
Guernica (Reinterpreted)
The Painting Ball (48 Abstract, 42 Landscapes, 23 Still Lives, 11 Portraits, 2 Religious, 1 Nude)
30 Second Commercial
     
Analia Saban, Slab Foundation #3, 2012, concrete on canvas, 20 x 25 x 6 cm - 8 x 10 x 2 1/2 inches
Analia Saban, Wave, 2012, Gelatin silver print on resin coated paper, 55,2 x 45,1 x 5,4 cm - 21 3/4 x 17 3/4 x 2 1/8 inches (framed)
Analia Saban, Folded Horizon (Two Folds), 2012, Gelatin silver print on resin coated paper, 55,2 x 45,1 x 5,4 cm - 21 3/4 x 17 3/4 x 2 1/8 inches (framed)
Analia Saban, Erosion (Scaffolding), 2012, Laser sculpted acrylic paint on canvas, 117 x 78 x 6 cm - 46 1/4 x 30 3/4 x 2 1/2 inches
Analia Saban, Paint (Black) #1, 2012, Plastisol ink in Poly-nylon Bag on Canvas, 71,4 x 51,4 x 9,5 cm - 28 1/8 x 20 1/4 x 3 3/4 inches
Analia Saban, Exhibition view, 2012, Made in LA, Hammer Museum, Los Angeles, CA, US
Analia Saban, Exhibition view, 2012, Made in LA, Hammer Museum, Los Angeles, CA, US
Analia Saban, Decant (from Ceiling) #3, 2011, Encaustic paint on linen canvas , 183 x 183 x 12 cm - 72 x 72 x 4 3/4 inches

Exhibition: DIG

Analia Saban, Decant (from Floor) #2, 2011, Concrete on canvas , 102 x 71 x 6,3 cm - 40 1/4 x 28 x 2 1/2 inches

Exhibition: DIG

Analia Saban, Fade Out (from Black) #2, 2011, Laser-carved acrylic on canvas , 25,4 x 20,3 x 2 cm - 10 x 8 x 3/4 inches

Exhibition: DIG

Analia Saban, Erosion (grid) #2, 2011, Laser-carved acrylic on canvas , 61 x 61 x 3,8 cm - 24 x 24 x 1 1/2 inches

Exhibition: DIG

Analia Saban, Arm with Rupture, 2011, Gelatin silver print on resin coated paper , 54 x 44 x 5 cm (framed) - 21 1/4 x 17 1/4 x 2 inches (framed)

Exhibition: DIG

Analia Saban, Decant (Black): Cascade, 2011, Encaustic paint on canvas, 101,6 x 101,6 cm - 40 x 40 inches
Analia Saban, Representation of a Chair (with Broken Part), 2011, Acrylic paint on canvas, 127 x 121,92 x 10,16 cm - 50 x 48 x 4 inches
Analia Saban, Overlay Series: Early Black and White Photograph (Erotic Postcard); Color Acetate Red, Yellow and Blue; Brushstrokes; and Linen Canvas on Stretcher Bars. , 2008, Red, yellow and blue film gels and acrylic on linen canvas. , 126,5 x 182 cm

Exhibition: LIVING COLOR

Analia Saban, Overlay Series: Early Black and White Photograph («The Enraged Cockatoo (Perched)» by T. R. Williams, c. 1851 - 1855); Color Acetate Red, Yellow and Blue; Brushstrokes; and Linen Canvas on Stretcher Bars. , 2008 , Red, yellow and blue film gels and acrylic on linen canvas. , 177 x 145,5 cm

Exhibition: LIVING COLOR

Analia Saban, Overlay Series: Early Photograph (Untitled, by Adolphe Braun, 1854); Color Acetate Red, Yellow and Blue; Brushstrokes; and Linen Canvas on Stretcher Bars., 2008, Red, yellow and blue film gels and acrylic on linen canvas. , 110 x 100 cm (43 3/8 x 39 1/2 inches)

Exhibition: LIVING COLOR

Analia Saban, Overlay Series: Early Photograph ("Articles of China" by Henry Talbot); Color Acetate Red, Yellow and Blue; Brushstrokes; and Linen Canvas on Stretcher Bars., 2008, Red, yellow and blue film gels and acrylic on linen canvas., 100 x 134 cm (39 3/8” x 52 3/4”)
Analia Saban, exhibition view

Exhibition: WHEN THINGS COLLAPSE

Analia Saban, exhibition view

Exhibition: WHEN THINGS COLLAPSE

Analia Saban, exhibition view

Exhibition: WHEN THINGS COLLAPSE

Analia Saban, Slippage #2, 2007, Acrylic on linen hinging tape, cotton cloth and ph neutral glue, hanging on linen canvas on panel, 101,6 x 132,8 cm

Exhibition: WHEN THINGS COLLAPSE

Analia Saban, Sunset, 2007, Acrylic on linen hinging tape, cotton cloth and ph neutral glue, hanging on linen canvas on panel, 96,5 x 122 cm

Exhibition: WHEN THINGS COLLAPSE

Analia Saban, Nude, 2007, Acrylic on linen hinging tape, cotton cloth and ph neutral glue, hanging on linen canvas on panel, 71,12 x 101,6 cm

Exhibition: WHEN THINGS COLLAPSE

Analia Saban, Collapsed Drawing: "Vertical Lines, Not Straight, Not Touching" (Sol Lewitt), 2007, Laser-cut paper and laser-cut archival digital print mounted on museum board, 80 x 65,4 cm

Exhibition: WHEN THINGS COLLAPSE

Analia Saban, Collapsed Drawing: Unknown title (Jackson Pollock), 2007, Laser-cut paper and laser-cut archival digital print mounted on museum board, 79,5 x 60,4 cm

Exhibition: WHEN THINGS COLLAPSE

Analia Saban, Collapsed Drawing: Untitled (Eva Hesse), 2007, Laser-cut paper and laser-cut archival digital print mounted on museum board, 75,6 x 58,7 cm

Exhibition: WHEN THINGS COLLAPSE

Analia Saban, Reclining Nude (with Tape), 2006, Acrylic with Archival Artist Tape on Canvas, 8 x 10 inches
Analia Saban, Acrylic on Linen (with Tape), Landscape, 2006, Acrylic and artist tape on Linen, 111,7 x 137,16 x 4 cm
Analia Saban, Vase of Drawing Lines, 2005, Graphite on paper mounted SINTRA in graphite powder filled container, Container: 2ft (diameter) x 3ft
Analia Saban, Acryilic on Canvas (with Tape), Cloud, 2006, Acrylic and artist tape on Linen, 41 x 51 cm
Analia Saban, Raw to Finished (Ready-Made Brushstrokes by Cezanne, Chagall, Jawlensky, Kandinsky, de Kooning, Matisse, Miró, Pollock, Twombly, and Van Gogh) - Version #2, 2005, Canvas and pencil on board, 42 x 71 1/2 inches
Analia Saban, Composition with Ready-Made Brushstrokes by Cezanne, Chagall, Jawlensky, Kandinsky, de Kooning, Lichtenstein, Matisse, Miró, Picasso, Pollock, Twombly, and Van Gogh, 2005, Acrylic and Marker on Canvas, 116 x 123 inches
Analia Saban, Composition with Ready-Made Brushstrokes by Cezanne, Chagall, Jawlensky, Kandinsky, de Kooning, Lichtenstein, Matisse, Miró, Picasso, Pollock, Twombly, and Van Gogh
(detail), 2005
Analia Saban, Composition #2 with Ready-Made Lines by Kandinsky, Klee, Matisse, Miró, Picasso, and Twombly, 2005, Graphite on museum board, 64 x 109 inches
Analia Saban, Composition #2 with Ready-Made Lines by Kandinsky, Klee, Matisse, Miró, Picasso, and Twombly
(detail), 2005
Analia Saban, Landscape (Two Different Reproductions), 2005, Crayon on oil on canvas, 21 x 51 inches
Analia Saban, Painting(s) Reassembled (Eleven paintings ≠ One Painting), 2005, oil on canvas, 45 x 37 inches
Analia Saban, Painting(s) Reassembled (One 48 x 36 inch Portrait ≠ 11 1/2 x 23 inch Reassembled Portrait), 2005, oil on canvas, 48 x 36 inches
Analia Saban, Painting(s) Reassembled (Three Portraits ≠ One Scarf), 2005, oil on Canvas, 8 x 46 inches
Analia Saban, Painting(s) Reassembled (Three Portraits ≠ One Scarf)
detail, 2005
Analia Saban, Cotton Canvas Thread from a 7.5 ft-wide Landscape Painting, 2005, oil on Canvas, 90 x 2 x 1.5 inches
Analia Saban, Guernica (Reinterpreted), 2005, Oil on canvas and stretcher bars, 10 ft x 10 ft
Analia Saban, The Painting Ball (48 Abstract, 42 Landscapes, 23 Still Lives, 11 Portraits, 2 Religious, 1 Nude), 2005, Oil, Acrylic and Watercolor on Canvas, 26 x 26 x 26 inches
Analia Saban, 30 Second Commercial, 2005, 900 archival digital prints on pedestal, 8.5 x 11 x 5.5 ft